1 00:00:00,000 --> 00:00:04,000 Subtitle editor A. Sinetskaya Proofreader A. Egorova 2 00:00:30,000 --> 00:00:34,000 Subtitle editor A. Sinetskaya Proofreader A. Egorova 3 00:01:01,000 --> 00:01:04,000 Subtitle editor A. Sinetskaya Proofreader A. Sinetskaya Proofreader A. Sinetskaya Proofreader A. Sinetskaya Proofreader A. Sinetskaya Proofreader A. Ogorova 4 00:01:04,000 --> 00:01:09,840 DYNAMIC MUSIC 5 00:01:09,840 --> 00:01:14,000 PHONE CALL 6 00:01:25,120 --> 00:01:28,160 Mom, what did you buy with you? 7 00:01:28,160 --> 00:01:32,160 PHONE CALL 8 00:01:42,160 --> 00:01:45,160 Ladder, we have a problem with money. 9 00:01:45,160 --> 00:01:47,160 Mmm, I see. 10 00:01:50,160 --> 00:01:54,160 Maybe we should recognize one of the rooms? How do you look at this? 11 00:01:54,160 --> 00:01:56,160 Terrible. 12 00:01:58,160 --> 00:02:01,160 This will allow us to solve many problems. 13 00:02:01,160 --> 00:02:03,160 Mmm, and made new ones. 14 00:02:05,160 --> 00:02:07,160 Then I don't know what to do. 15 00:02:10,160 --> 00:02:12,160 Do what you want. 16 00:02:28,160 --> 00:02:32,160 PHONE CALL 17 00:02:32,160 --> 00:02:36,160 PHONE CALL 18 00:03:02,160 --> 00:03:14,160 DYNAMIC MUSIC 19 00:03:32,160 --> 00:03:36,160 PHONE CALL 20 00:04:02,160 --> 00:04:06,160 PHONE CALL 21 00:04:15,160 --> 00:04:16,160 Hello. 22 00:04:16,160 --> 00:04:17,160 You won't tell. 23 00:04:17,160 --> 00:04:20,160 I need Comune Street before 13. 24 00:04:20,160 --> 00:04:22,160 Communes? 25 00:04:22,160 --> 00:04:23,160 I don't know. 26 00:04:23,160 --> 00:04:26,160 You know, it's best if you cross the road now, 27 00:04:26,160 --> 00:04:27,160 there will be such a path. 28 00:04:27,160 --> 00:04:30,160 You will pass metro 500 and there is a far crossroad. 29 00:04:30,160 --> 00:04:33,160 That is, this is the cross. 30 00:04:33,160 --> 00:04:35,160 Metro 500, got it. 31 00:04:35,160 --> 00:04:36,160 Yes. 32 00:04:36,160 --> 00:04:37,160 Thank you. 33 00:04:45,160 --> 00:04:46,160 Oh! 34 00:04:46,160 --> 00:04:49,160 Oh, sorry, I was looking at the birds. 35 00:04:49,160 --> 00:04:52,160 Can you tell me where Comuna Street is? 36 00:04:52,160 --> 00:04:54,160 What kind of house do you need? 37 00:04:54,160 --> 00:04:56,160 Let's see the blast furnace now. 38 00:04:56,160 --> 00:04:58,160 You live here, right? 39 00:04:58,160 --> 00:04:59,160 Yes. 40 00:04:59,160 --> 00:05:01,160 House number 13. 41 00:05:01,160 --> 00:05:02,160 Is there such a house? 42 00:05:02,160 --> 00:05:03,160 Yes, I know. 43 00:05:03,160 --> 00:05:04,160 Where? 44 00:05:04,160 --> 00:05:05,160 Come on, I'll show you. 45 00:05:05,160 --> 00:05:06,160 What, should we go there? 46 00:05:06,160 --> 00:05:07,160 Yes, let's go. 47 00:05:07,160 --> 00:05:09,160 Just go ahead, otherwise I'm afraid of you. 48 00:05:18,160 --> 00:05:20,160 Why are you going to live there? 49 00:05:20,160 --> 00:05:22,160 Yes, why not. 50 00:05:22,160 --> 00:05:24,160 What, you don’t have your own home? 51 00:05:24,160 --> 00:05:26,160 Well, the city does. 52 00:05:26,160 --> 00:05:28,160 And I wanted to try it in the fresh air. 53 00:05:28,160 --> 00:05:30,160 Well, Listorovo, you don’t look very similar. 54 00:05:30,160 --> 00:05:32,160 Who told you that I am Listorovo? 55 00:05:32,160 --> 00:05:34,160 What, what do you do to earn money in the fresh air? 56 00:05:34,160 --> 00:05:36,160 I am a writer. 57 00:05:36,160 --> 00:05:41,160 Ah, so I think you’re some kind of Khilnka for Listorovo. 58 00:05:41,160 --> 00:05:45,160 But I wouldn’t advise you to rent this room. 59 00:05:45,160 --> 00:05:46,160 Why? 60 00:05:46,160 --> 00:05:49,160 Haven’t you heard anything about the hostess? 61 00:05:49,160 --> 00:05:51,160 No, what? 62 00:05:51,160 --> 00:05:53,160 Takrans are not friendly with their heads. 63 00:05:53,160 --> 00:05:55,160 It happens when she is found, 64 00:05:55,160 --> 00:05:58,160 so she begins to destroy everything around her. 65 00:05:58,160 --> 00:06:02,160 And he chases after his past fortirant with a knife. 66 00:06:02,160 --> 00:06:05,160 So he ran to the police at night in his underpants. 67 00:06:05,160 --> 00:06:07,160 Are you serious? 68 00:06:07,160 --> 00:06:09,160 If you don't believe me, ask anyone here. 69 00:06:09,160 --> 00:06:11,160 Here it is, house 13. 70 00:06:11,160 --> 00:06:13,160 But he was warned. 71 00:06:13,160 --> 00:06:15,160 And then decide for yourself. 72 00:06:15,160 --> 00:06:16,160 Bye. 73 00:06:40,160 --> 00:06:42,160 Well, let's see. 74 00:06:42,160 --> 00:06:45,160 Where did ours go missing? 75 00:06:49,160 --> 00:06:51,160 Mistress! 76 00:06:55,160 --> 00:06:57,160 Hello. 77 00:06:57,160 --> 00:06:59,160 Are you renting out a room? 78 00:06:59,160 --> 00:07:01,160 Yes, yes, please come in. 79 00:07:01,160 --> 00:07:03,160 My name is Olga Sergeevna. 80 00:07:03,160 --> 00:07:05,160 Can I just Olga? 81 00:07:05,160 --> 00:07:07,160 And my name is Gennady Petrovich. 82 00:07:07,160 --> 00:07:09,160 I am a writer. 83 00:07:09,160 --> 00:07:12,160 I wanted to work in the fresh air. 84 00:07:12,160 --> 00:07:14,160 Well, let's get acquainted? 85 00:07:14,160 --> 00:07:16,160 Here is our kitchen. 86 00:07:20,160 --> 00:07:22,160 Let's move on. 87 00:07:27,160 --> 00:07:29,160 And now here. 88 00:07:29,160 --> 00:07:31,160 And here is your room. 89 00:07:31,160 --> 00:07:33,160 Simple, light. 90 00:07:33,160 --> 00:07:36,160 It seems to me that you will be comfortable in it. 91 00:07:37,160 --> 00:07:39,160 It's clear. 92 00:07:44,160 --> 00:07:47,160 Now let's go to the second floor. 93 00:07:50,160 --> 00:07:52,160 Be careful, we have two stumps. 94 00:07:52,160 --> 00:07:54,160 They will go to the one you have. 95 00:07:58,160 --> 00:08:00,160 And here are our living rooms. 96 00:08:00,160 --> 00:08:02,160 Let's see. 97 00:08:02,160 --> 00:08:04,160 Here we rest. 98 00:08:05,160 --> 00:08:07,160 Fine. 99 00:08:11,160 --> 00:08:15,160 Thank you, of course. The houses are good, but I have to think about it. 100 00:08:19,160 --> 00:08:23,160 By the way, meet my daughter, Alice. 101 00:08:26,160 --> 00:08:28,160 Do you know, Olga Sergeevna? 102 00:08:28,160 --> 00:08:30,160 Perhaps I'll rent this room from you. 103 00:08:30,160 --> 00:08:32,160 I really liked her. 104 00:08:35,160 --> 00:08:38,160 How did you sleep in the new place? 105 00:08:38,160 --> 00:08:40,160 You know, I liked it. 106 00:08:43,160 --> 00:08:45,160 How do you like my pancakes? 107 00:08:45,160 --> 00:08:47,160 Yes, very tasty. 108 00:08:47,160 --> 00:08:49,160 Shall I add some more domcha? 109 00:08:49,160 --> 00:08:51,160 Yes please. Add more. 110 00:08:52,160 --> 00:08:55,160 There have been no men in our house for a long time. 111 00:09:04,160 --> 00:09:16,160 CALM MUSIC 112 00:09:16,160 --> 00:09:18,160 Let's have a drink. 113 00:09:18,160 --> 00:09:20,160 Getting to know each other. 114 00:09:22,160 --> 00:09:24,160 Let's. I don't mind. 115 00:09:24,160 --> 00:09:26,160 Oh, zimfira. 116 00:09:26,160 --> 00:09:28,160 Divine drink. 117 00:09:28,160 --> 00:09:30,160 Thank you. Thank you. 118 00:09:30,160 --> 00:09:32,160 Oh, I'm turning over. 119 00:09:32,160 --> 00:09:34,160 Not yet grown. 120 00:09:50,160 --> 00:09:52,160 Not a minute. 121 00:09:52,160 --> 00:09:54,160 So. 122 00:09:54,160 --> 00:09:56,160 So. 123 00:10:23,160 --> 00:10:25,160 I thought you were going to make a toast. 124 00:10:39,160 --> 00:10:41,160 Well, getting to know each other. 125 00:10:41,160 --> 00:10:44,160 So that you have a good time with us. 126 00:10:46,160 --> 00:10:48,160 Getting to know each other. 127 00:10:52,160 --> 00:10:54,160 Getting to know each other. 128 00:11:18,160 --> 00:11:21,160 Listen, will you have some, huh? 129 00:11:23,160 --> 00:11:25,160 Just right. 130 00:11:27,160 --> 00:11:30,160 Oh, how everything is running. 131 00:11:32,160 --> 00:11:34,160 Revelerch. 132 00:11:46,160 --> 00:11:48,160 What's going on here? 133 00:11:48,160 --> 00:11:50,160 Yes, he's just fiddling around. 134 00:11:53,160 --> 00:11:55,160 Well, then for us. 135 00:11:55,160 --> 00:11:57,160 For adults and children. 136 00:11:58,160 --> 00:11:59,160 For us. 137 00:12:12,160 --> 00:12:15,160 Alice's husband left us two years ago. 138 00:12:15,160 --> 00:12:18,160 Kubyat left for Siberia. 139 00:12:19,160 --> 00:12:21,160 He has a different family now. 140 00:12:24,160 --> 00:12:26,160 And you don’t communicate with him at all now? 141 00:12:26,160 --> 00:12:28,160 Well, at least for Alice's sake. 142 00:12:30,160 --> 00:12:32,160 Well, I wrote a letter once. 143 00:12:32,160 --> 00:12:36,160 He asked if Alice and I needed any financial help? 144 00:12:36,160 --> 00:12:39,160 Well, I answered him. 145 00:12:41,160 --> 00:12:42,160 Why am I refusing? 146 00:12:42,160 --> 00:12:44,160 From any help from him. 147 00:12:44,160 --> 00:12:48,160 If he always disappears from our Salisa of life. 148 00:13:45,160 --> 00:13:46,160 What is he? 149 00:13:50,160 --> 00:13:51,160 What is he? 150 00:13:51,160 --> 00:13:55,160 After my answer, not a single call, not a single letter. 151 00:13:55,160 --> 00:13:58,160 In short, he disappeared. 152 00:13:58,160 --> 00:14:01,160 As requested, he disappeared from my life. 153 00:14:03,160 --> 00:14:06,160 What do you still love? 154 00:14:09,160 --> 00:14:10,160 What are you talking about? 155 00:14:10,160 --> 00:14:12,160 I loved him very much before marriage. 156 00:14:12,160 --> 00:14:14,160 Debirth, Alice. 157 00:14:14,160 --> 00:14:16,160 And after Alice was born, 158 00:14:16,160 --> 00:14:18,160 he somehow suddenly cooled off towards me, 159 00:14:18,160 --> 00:14:22,160 began to disappear from home for a long time, scandals. 160 00:14:22,160 --> 00:14:26,160 And then she gave in completely without any training. 161 00:14:28,160 --> 00:14:31,160 Therefore his move was not a great waste, 162 00:14:31,160 --> 00:14:33,160 neither for me nor for my daughter. 163 00:14:42,160 --> 00:14:46,160 And why, Alice, doesn’t remember her father? 164 00:14:46,160 --> 00:14:48,160 Almost none. 165 00:14:52,160 --> 00:14:55,160 Well, you have a friend. 166 00:14:56,160 --> 00:14:59,160 After my husband left, I tried to do everything. 167 00:14:59,160 --> 00:15:01,160 So that Alice doesn't feel 168 00:15:01,160 --> 00:15:03,160 that she wasn't. 169 00:15:03,160 --> 00:15:06,160 And why, Alice, doesn’t remember her father? 170 00:15:06,160 --> 00:15:07,160 Almost none. 171 00:15:08,160 --> 00:15:11,160 After my husband left, I tried to do everything. 172 00:15:11,160 --> 00:15:15,160 So that Alice would not feel his absence in material terms. 173 00:15:15,160 --> 00:15:17,160 So, there were no domestics. 174 00:15:19,160 --> 00:15:21,160 True sometimes. 175 00:15:21,160 --> 00:15:22,160 Sometimes. 176 00:15:22,160 --> 00:15:25,160 At night you suddenly start to live. 177 00:15:26,160 --> 00:15:29,160 Don't hold back and cry. 178 00:15:37,160 --> 00:15:39,160 Yes. 179 00:16:07,160 --> 00:16:09,160 Yes. 180 00:16:09,160 --> 00:16:11,160 Yes. 181 00:16:39,160 --> 00:16:41,160 Yes. 182 00:17:09,160 --> 00:17:11,160 Yes. 183 00:17:39,160 --> 00:17:41,160 Yes. 184 00:17:59,160 --> 00:18:00,160 Genati. 185 00:18:00,160 --> 00:18:01,160 Yes. 186 00:18:01,160 --> 00:18:06,160 And you know, I haven’t had a single man since my husband left. 187 00:18:06,160 --> 00:18:07,160 You are the first. 188 00:18:10,160 --> 00:18:12,160 Aren't you disappointed? 189 00:18:14,160 --> 00:18:16,160 So what are you doing? 190 00:18:16,160 --> 00:18:18,160 I'm so happy. 191 00:18:18,160 --> 00:18:20,160 I just wouldn't want to 192 00:18:20,160 --> 00:18:23,160 so that our relationship becomes known to them. 193 00:18:23,160 --> 00:18:24,160 Why? 194 00:18:26,160 --> 00:18:29,160 I don’t know, I feel somehow uncomfortable in front of her. 195 00:18:30,160 --> 00:18:33,160 And that's why you're depriving yourself of your privacy? 196 00:18:34,160 --> 00:18:36,160 I'm probably stupid. 197 00:18:36,160 --> 00:18:37,160 Yes? 198 00:18:39,160 --> 00:18:43,160 I think Alice would become jealous of other men. 199 00:18:44,160 --> 00:18:48,160 But I still really want you. 200 00:18:50,160 --> 00:18:52,160 You know what? 201 00:18:52,160 --> 00:18:53,160 What? 202 00:18:53,160 --> 00:18:55,160 Come on, in two hours, 203 00:18:55,160 --> 00:18:58,160 When does Alice go to bed? 204 00:18:59,160 --> 00:19:01,160 Come to me. 205 00:19:01,160 --> 00:19:02,160 Yes. 206 00:19:10,160 --> 00:19:11,160 Yes. 207 00:19:30,160 --> 00:19:31,160 Yes. 208 00:19:39,160 --> 00:19:40,160 Yes. 209 00:19:59,160 --> 00:20:00,160 Yes. 210 00:20:03,160 --> 00:20:04,160 Yes. 211 00:20:04,160 --> 00:20:05,160 Yes. 212 00:20:09,160 --> 00:20:10,160 Yes. 213 00:21:09,160 --> 00:21:19,160 INTRIGUING MUSIC 214 00:21:19,160 --> 00:21:39,160 CALM MUSIC 215 00:21:39,160 --> 00:22:06,160 INTRIGUING MUSIC 216 00:22:06,160 --> 00:22:09,160 Oh, who are you that wandered into our garden? 217 00:22:09,160 --> 00:22:10,160 Who, huh? 218 00:22:10,160 --> 00:22:11,160 I. 219 00:22:14,160 --> 00:22:16,160 I don't see anyone. 220 00:22:16,160 --> 00:22:18,160 Obese, he probably is. 221 00:22:28,160 --> 00:22:32,160 I probably won't eat today. Thank you. 222 00:22:32,160 --> 00:22:33,160 Didn't like it? 223 00:22:33,160 --> 00:22:35,160 No, I just don’t want to. 224 00:22:36,160 --> 00:22:54,160 INTRIGUING MUSIC 225 00:22:54,160 --> 00:22:57,160 The last days before departure have arrived. 226 00:22:57,160 --> 00:23:00,160 It is clear with what sadness I left. 227 00:23:00,160 --> 00:23:03,160 You know what, reading other people's letters is indecent. 228 00:23:03,160 --> 00:23:04,160 I'll figure out German! 229 00:23:04,160 --> 00:23:06,160 I think they have to write novels? 230 00:23:06,160 --> 00:23:09,160 imagined etheresna inside. 231 00:23:10,160 --> 00:23:32,160 INTRIGUING MUSIC 232 00:23:33,160 --> 00:23:37,160 Gennady Petrovich, do you want someone to tell me? 233 00:23:38,160 --> 00:23:40,160 After. 234 00:23:40,160 --> 00:23:43,160 Then tell me when I leave, but now go and take a walk. 235 00:23:43,160 --> 00:23:45,160 No, I'll forget later. 236 00:23:45,160 --> 00:23:47,160 Let me tell you better now. 237 00:23:47,160 --> 00:23:49,160 Alice, let me sit quietly this time. 238 00:23:49,160 --> 00:23:51,160 I beg you. 239 00:23:51,160 --> 00:23:54,160 Sit still, am I disturbing you? 240 00:23:54,160 --> 00:23:56,160 So listen up. 241 00:23:56,160 --> 00:23:58,160 Ask, mistress of the honey mountain. 242 00:23:58,160 --> 00:24:00,160 Well, yes, Nila? 243 00:24:00,160 --> 00:24:02,160 Not a solution, stone flower. 244 00:24:02,160 --> 00:24:04,160 They don't come out. 245 00:24:04,160 --> 00:24:05,160 Hello. 246 00:24:06,160 --> 00:24:08,160 Why are you silent? Did you offend me or something? 247 00:24:09,160 --> 00:24:12,160 Alice, are you behaving badly? 248 00:24:12,160 --> 00:24:16,160 Oh, I haven’t tried, I have no one to educate. 249 00:24:17,160 --> 00:24:20,160 Yes, you won’t put your words in your pocket. 250 00:24:20,160 --> 00:24:21,160 Yes. 251 00:24:21,160 --> 00:24:23,160 You won't put your words in your pocket. 252 00:24:23,160 --> 00:24:25,160 You won't put your words in your pocket. 253 00:24:25,160 --> 00:24:28,160 You won't put your words in your pocket. 254 00:24:28,160 --> 00:24:31,160 No need, Petrovich, let’s make a girl out of you. 255 00:24:34,160 --> 00:24:36,160 That's it, life dreamed about this. 256 00:24:58,160 --> 00:25:27,160 DYNAMIC MUSIC 257 00:25:29,160 --> 00:25:32,160 Gennady, what are you writing about? 258 00:25:34,160 --> 00:25:38,160 About love, friendship, fidelity. 259 00:25:38,160 --> 00:25:41,160 In short, Gennady Petrovich, a pistol of funk. 260 00:25:41,160 --> 00:25:43,160 Where did you get the idea, Alice? 261 00:25:43,160 --> 00:25:45,160 And you yourself believe in what you write. 262 00:25:45,160 --> 00:25:47,160 Stop being ugly. 263 00:25:48,160 --> 00:25:52,160 Tell me, who is the hero of your novel? 264 00:25:52,160 --> 00:25:56,160 Well, a hero is people, men, women. 265 00:25:56,160 --> 00:25:58,160 What's wrong with you, Gennady Petrovich? 266 00:25:58,160 --> 00:26:04,160 Well, I just don't like to say these things that I haven't written. 267 00:26:04,160 --> 00:26:05,160 Fine. 268 00:26:05,160 --> 00:26:07,160 Then tell them what I tell them. 269 00:26:08,160 --> 00:26:13,160 Well, I just don't like to say these things that I haven't written. 270 00:26:13,160 --> 00:26:16,160 Okay, then tell me what I tell them. 271 00:26:37,160 --> 00:26:38,160 Yes. 272 00:26:41,160 --> 00:26:42,160 Yes. 273 00:26:42,160 --> 00:26:43,160 Yes. 274 00:27:07,160 --> 00:27:09,160 Yes. 275 00:27:09,160 --> 00:27:10,160 Yes. 276 00:27:26,160 --> 00:27:30,160 Gennady Petrovich, why do you need these things in our house? 277 00:27:32,160 --> 00:27:33,160 How why? 278 00:27:33,160 --> 00:27:34,160 Get married. 279 00:27:34,160 --> 00:27:35,160 Ahhh. 280 00:27:36,160 --> 00:27:38,160 Do you know how many such fly swabs there are? 281 00:27:38,160 --> 00:27:40,160 We had a plan for the camp. 282 00:28:05,160 --> 00:28:07,160 Yves minimalist, owner of carpal, 283 00:28:07,160 --> 00:28:09,160 whodrop, 284 00:28:10,160 --> 00:28:14,160 whodrop, 285 00:28:14,160 --> 00:28:17,160 whodrop, 286 00:28:17,160 --> 00:28:20,160 whodrop, 287 00:28:20,160 --> 00:28:23,160 whodrop, 288 00:28:23,160 --> 00:28:26,160 whodrop, 289 00:28:28,160 --> 00:28:30,160 whodrop, 290 00:28:30,160 --> 00:28:32,160 whodrop, 291 00:29:02,160 --> 00:29:04,500 Hey! 292 00:29:22,980 --> 00:29:26,080 M meaning 293 00:29:30,100 --> 00:29:32,100 He's not sleeping, he's not sleeping 294 00:29:32,160 --> 00:29:34,160 So what should I do? 295 00:29:34,160 --> 00:29:38,160 I want you to leave, like a disease, nothing has matured in the West. 296 00:29:38,160 --> 00:29:40,160 And I'll go. 297 00:30:08,560 --> 00:30:09,560 PA attended school 298 00:30:19,540 --> 00:30:21,540 Hello 299 00:30:28,520 --> 00:30:29,680 Hello 300 00:30:31,880 --> 00:30:36,380 I hope it goes to trial 301 00:30:38,160 --> 00:30:58,520 LYRICAL MUSIC 302 00:30:59,520 --> 00:31:08,520 LYRICAL MUSIC 303 00:31:08,520 --> 00:31:17,520 LYRICAL MUSIC 304 00:31:17,520 --> 00:31:43,520 LYRICAL MUSIC 305 00:31:43,520 --> 00:32:07,520 LYRICAL MUSIC 306 00:32:07,520 --> 00:32:36,520 LYRICAL MUSIC 307 00:32:37,520 --> 00:32:57,520 LYRICAL MUSIC 308 00:32:57,520 --> 00:33:05,520 LYRICAL MUSIC 309 00:33:07,520 --> 00:33:17,520 LYRICAL MUSIC 310 00:33:17,520 --> 00:33:19,520 What do you have there? 311 00:33:19,520 --> 00:33:21,520 Well, this is for you. 312 00:33:23,520 --> 00:33:25,520 Well, is this for mom? 313 00:33:25,520 --> 00:33:36,520 LYRICAL MUSIC 314 00:33:36,520 --> 00:33:37,520 Eat! 315 00:33:37,520 --> 00:33:38,520 ABOUT! 316 00:33:38,520 --> 00:33:40,520 That's what I thought. 317 00:33:42,520 --> 00:33:47,520 How long can we hide our relationship from Alice? 318 00:33:47,520 --> 00:33:51,520 Maybe we'll tell you everything as it is. 319 00:33:51,520 --> 00:33:53,520 Well, she's an adult. 320 00:33:53,520 --> 00:33:55,520 I must understand everything. 321 00:33:55,520 --> 00:33:58,520 I don't think this is a good idea. 322 00:33:58,520 --> 00:34:01,520 Do as you please, though. 323 00:34:01,520 --> 00:34:02,520 May be. 324 00:34:10,520 --> 00:34:12,520 Thanks for the candy! 325 00:34:22,520 --> 00:34:26,520 Gennady Petrovich, I knew you here and wanted to read a magazine. 326 00:34:26,520 --> 00:34:28,520 There’s just a lot I don’t understand. 327 00:34:28,520 --> 00:34:30,520 Could you explain? 328 00:34:30,520 --> 00:34:32,520 Who gave you permission to rummage through my things? 329 00:34:32,520 --> 00:34:33,520 A? 330 00:34:33,520 --> 00:34:35,520 I just can't get used to it. 331 00:34:35,520 --> 00:34:37,520 Well, there’s your thing in the closet. 332 00:34:37,520 --> 00:35:05,520 LYRICAL MUSIC 333 00:35:05,520 --> 00:35:33,520 LYRICAL MUSIC 334 00:35:33,520 --> 00:36:01,520 LYRICAL MUSIC 335 00:36:01,520 --> 00:36:18,520 LYRICAL MUSIC 336 00:36:18,520 --> 00:36:43,520 LYRICAL MUSIC 337 00:36:43,520 --> 00:37:01,520 LYRICAL MUSIC 338 00:37:01,520 --> 00:37:06,520 Lesonok, I need to talk to you. 339 00:37:06,520 --> 00:37:07,520 And what? 340 00:37:08,520 --> 00:37:12,520 LYRICAL MUSIC 341 00:37:12,520 --> 00:37:14,520 And for me, so is Gennady. 342 00:37:14,520 --> 00:37:16,520 I've already taken off. 343 00:37:16,520 --> 00:37:20,520 LYRICAL MUSIC 344 00:37:20,520 --> 00:37:23,520 Do you know, already know about our relationship? 345 00:37:25,520 --> 00:37:27,520 I wouldn't know. 346 00:37:27,520 --> 00:37:30,520 You're so annoying all night that I can't sleep. 347 00:37:30,520 --> 00:37:34,520 Could you express your passion less violently? 348 00:37:34,520 --> 00:37:40,520 LYRICAL MUSIC 349 00:37:40,520 --> 00:37:42,520 Good morning, Gennady Petrovich. 350 00:37:42,520 --> 00:37:44,520 How's the past with mom? 351 00:37:44,520 --> 00:37:46,520 What? 352 00:37:46,520 --> 00:37:48,520 Do you want one? 353 00:37:48,520 --> 00:37:50,520 I'll tell you. 354 00:37:50,520 --> 00:37:51,520 Well, come on. 355 00:37:51,520 --> 00:37:53,520 Only he is indecent. 356 00:37:53,520 --> 00:37:54,520 LYRICAL MUSIC 357 00:37:54,520 --> 00:37:55,520 Then don't. 358 00:37:55,520 --> 00:37:56,520 LYRICAL MUSIC 359 00:37:56,520 --> 00:37:59,520 No, I’ll just tell you in your ear. OK? 360 00:37:59,520 --> 00:38:02,520 LYRICAL MUSIC 361 00:38:02,520 --> 00:38:25,520 LYRICAL MUSIC 362 00:38:25,520 --> 00:38:48,520 LYRICAL MUSIC 363 00:38:48,520 --> 00:39:11,520 LYRICAL MUSIC 364 00:39:11,520 --> 00:39:34,520 LYRICAL MUSIC 365 00:39:34,520 --> 00:39:57,520 LYRICAL MUSIC 366 00:39:57,520 --> 00:40:20,520 LYRICAL MUSIC 367 00:40:20,520 --> 00:40:30,520 LYRICAL MUSIC 368 00:40:30,520 --> 00:40:37,520 LYRICAL MUSIC 369 00:40:37,520 --> 00:40:39,520 Well, that's all. 370 00:40:39,520 --> 00:40:41,520 We'll finish everything there. 371 00:40:51,520 --> 00:40:54,520 Smells like loose dragon fruit. 372 00:40:54,520 --> 00:40:57,520 There is kvass at the doorstep. 373 00:40:57,520 --> 00:40:59,520 I bake with my hands in tachons over the stove. 374 00:40:59,520 --> 00:41:01,520 Cockroaches are crawling in. 375 00:41:01,520 --> 00:41:04,520 Soot curls over the damper. 376 00:41:04,520 --> 00:41:06,520 In the stove there are threads in piles. 377 00:41:06,520 --> 00:41:08,520 The canals are salted. 378 00:41:08,520 --> 00:41:10,520 Shelkhasy Rykhits. 379 00:41:10,520 --> 00:41:13,520 Mother will not cope with grasping. 380 00:41:13,520 --> 00:41:15,520 Bends low. 381 00:41:15,520 --> 00:41:18,520 The old code is sneaking into the mohodka. 382 00:41:18,520 --> 00:41:20,520 For fresh milk. 383 00:41:20,520 --> 00:41:23,520 Restless smokers cluck. 384 00:41:23,520 --> 00:41:25,520 Above the shafts of the sakhi. 385 00:41:25,520 --> 00:41:29,520 In the courtyard the roosters are crowing a harmonious mass. 386 00:41:29,520 --> 00:41:32,520 And in the window there are stingrays on the hay. 387 00:41:32,520 --> 00:41:34,520 From the timid noise. 388 00:41:34,520 --> 00:41:37,520 Kudlats are made from corners. 389 00:41:37,520 --> 00:41:40,520 They crawl into humups. 390 00:41:40,520 --> 00:41:42,520 Laughter. 391 00:41:42,520 --> 00:41:44,520 Gen, should I pour you some tea? 392 00:41:44,520 --> 00:41:46,520 What are you saying? 393 00:41:46,520 --> 00:41:48,520 I ask, pour some tea. 394 00:41:48,520 --> 00:41:50,520 Yes, thank you. 395 00:41:54,520 --> 00:41:56,520 Are you interfering with my work? 396 00:41:56,520 --> 00:41:58,520 What about me? 397 00:41:58,520 --> 00:42:00,520 Yes. 398 00:42:09,520 --> 00:42:11,520 Are you interfering with my work? 399 00:42:11,520 --> 00:42:13,520 Do I care? 400 00:42:13,520 --> 00:42:14,520 And in general? 401 00:42:14,520 --> 00:42:16,520 I will call you crocodile genes. 402 00:42:16,520 --> 00:42:19,520 No, just a crocodile. 403 00:42:19,520 --> 00:42:21,520 Do you mind? 404 00:42:27,520 --> 00:42:29,520 Listen, crocodile, huh. 405 00:42:29,520 --> 00:42:32,520 Show me how you kiss your mother at night. 406 00:42:41,520 --> 00:42:44,520 Well, don't you understand what's good about this? 407 00:45:41,520 --> 00:45:43,520 I won't either, no conviction. 408 00:45:53,520 --> 00:45:55,520 I'm not a racan. 409 00:46:05,520 --> 00:46:07,520 What is this? 410 00:46:07,520 --> 00:46:08,520 No. 411 00:46:09,520 --> 00:46:10,520 No. 412 00:46:10,520 --> 00:46:13,520 that he agreed to carry my cables in his pocket. 413 00:46:13,520 --> 00:46:17,520 Otherwise my hands would be sore and I wouldn’t be able to collect 414 00:46:17,520 --> 00:46:18,520 drying. 415 00:46:19,520 --> 00:46:21,520 Crekady! 416 00:46:21,520 --> 00:46:23,520 Do your hairs live and grow? 417 00:46:23,520 --> 00:46:25,520 Hair? 418 00:46:25,520 --> 00:46:27,520 Yes, yes, yes. 419 00:46:27,520 --> 00:46:29,520 Let's see. 420 00:46:29,520 --> 00:46:31,520 For what? 421 00:46:31,520 --> 00:46:33,520 Let's see. 422 00:46:41,520 --> 00:46:44,520 Oh, where are they going? 423 00:46:44,520 --> 00:46:46,520 A? 424 00:46:49,520 --> 00:46:51,520 Well, come on. 425 00:46:51,520 --> 00:46:53,520 I want to see. 426 00:46:53,520 --> 00:46:55,520 Are you doing? 427 00:46:55,520 --> 00:46:58,520 So where is the most? 428 00:47:10,520 --> 00:47:12,520 Wow! 429 00:47:13,520 --> 00:47:15,520 Wow! 430 00:47:37,520 --> 00:47:40,520 What was that? 431 00:47:43,520 --> 00:47:46,520 Krekady, won't you fly at me? 432 00:47:46,520 --> 00:47:49,520 Now great pleasure. 433 00:48:12,520 --> 00:48:15,520 Crekady. 434 00:48:25,520 --> 00:48:28,520 Crekady. 435 00:48:42,520 --> 00:48:45,520 Krekady, I want you to wash me. 436 00:49:12,520 --> 00:49:15,520 Crekady. 437 00:49:43,520 --> 00:49:45,520 Crekady. 438 00:49:45,520 --> 00:49:48,520 I don't want you to go to your mom's at night. 439 00:49:49,520 --> 00:49:53,520 Baby, I can't do this. 440 00:49:53,520 --> 00:49:55,520 Oh, right? 441 00:49:55,520 --> 00:49:58,520 You offended me greatly. 442 00:49:58,520 --> 00:50:01,520 I won't forgive you for this. 443 00:50:01,520 --> 00:50:04,520 Maybe I should punish you? 444 00:50:04,520 --> 00:50:05,520 For what? 445 00:50:05,520 --> 00:50:07,520 Be quiet. 446 00:50:07,520 --> 00:50:10,520 This is where I ask questions. 447 00:50:10,520 --> 00:50:12,520 Choose your own punishment. 448 00:50:12,520 --> 00:50:15,520 I can't. 449 00:50:15,520 --> 00:50:17,520 I can't. 450 00:50:17,520 --> 00:50:19,520 I can't. 451 00:50:19,520 --> 00:50:21,520 I can't. 452 00:50:22,520 --> 00:50:24,520 This is where I ask questions. 453 00:50:24,520 --> 00:50:27,520 Choose your own punishment. 454 00:50:51,520 --> 00:50:54,520 Crekady. 455 00:51:21,520 --> 00:51:24,520 Crekady. 456 00:51:51,520 --> 00:51:54,520 Crekady. 457 00:52:21,520 --> 00:52:24,520 Crekady. 458 00:52:51,520 --> 00:52:56,520 Crekady. 459 00:53:02,520 --> 00:53:05,520 Crekady. 460 00:53:05,520 --> 00:53:09,520 Crekady. 461 00:53:09,520 --> 00:53:13,520 Crekady. 462 00:53:13,520 --> 00:53:17,520 Crekady. 463 00:53:17,520 --> 00:53:20,520 Ugh, spoiled, Krekady. 464 00:53:20,520 --> 00:53:30,520 LYRICAL CALL 465 00:53:36,520 --> 00:53:39,520 Gen, I'm off to the market. What fruit should I buy for you? 466 00:53:40,520 --> 00:53:43,520 They took the cherries. Cherries for every occasion. 467 00:53:43,520 --> 00:53:44,520 Fine. 468 00:53:50,520 --> 00:53:54,520 PHONE CALL 469 00:54:21,520 --> 00:54:24,520 LYRICAL CALL 470 00:54:24,520 --> 00:54:27,520 Ralisa, again with your nonsense. 471 00:54:39,520 --> 00:54:43,520 Interesting. And what are you going to do about it? 472 00:54:50,520 --> 00:54:52,520 So what are you doing? What are you doing? 473 00:55:21,520 --> 00:55:23,520 Fox. 474 00:55:44,520 --> 00:55:46,520 No. 475 00:55:50,520 --> 00:55:54,520 LYRICAL CALL 476 00:56:06,520 --> 00:56:09,520 Call Vesenok Gennady Petrovich, I washed the fruit. 477 00:56:12,520 --> 00:56:14,520 Gennady Petrovich? 478 00:56:14,520 --> 00:56:16,520 Victor. 479 00:56:16,520 --> 00:56:18,520 And I'm on a festruchka. 480 00:56:21,520 --> 00:56:22,520 U. 481 00:56:30,520 --> 00:56:31,520 Gennady. 482 00:56:31,520 --> 00:56:34,520 And Molisenok, shouldn’t I interfere with your work? 483 00:56:36,520 --> 00:56:39,520 No. Quite the opposite. 484 00:56:39,520 --> 00:56:41,520 But somehow. Vice versa. 485 00:56:42,520 --> 00:56:47,520 Well, it’s not at all with the Little Fox that he breathes into the creative process. 486 00:56:47,520 --> 00:56:48,520 Yes. 487 00:57:03,520 --> 00:57:04,520 Seine. 488 00:57:04,520 --> 00:57:06,520 Communicate with me. 489 00:57:06,520 --> 00:57:08,520 Don't you have anything that inspires you? 490 00:57:09,520 --> 00:57:11,520 Inspires. 491 00:57:11,520 --> 00:57:13,520 I would say it's a different matter. 492 00:57:13,520 --> 00:57:16,520 From now on, you can go into more detail. 493 00:57:17,520 --> 00:57:19,520 What can’t be asked. 494 00:57:19,520 --> 00:57:22,520 Think before you say anything. 495 00:57:22,520 --> 00:57:25,520 Think? This means Gennady Petrovich. 496 00:57:26,520 --> 00:57:28,520 And I, girl, am still small. 497 00:57:28,520 --> 00:57:30,520 Not thoughts about you are shown. 498 00:57:30,520 --> 00:57:32,520 Well, stupid. 499 00:57:32,520 --> 00:57:35,520 Anyone can hurt a little girl. 500 00:57:35,520 --> 00:57:37,520 And you give the palkinnik for ice cream. 501 00:57:38,520 --> 00:57:40,520 Get out of my sight. 502 00:57:47,520 --> 00:57:49,520 I'm leaving. 503 00:57:49,520 --> 00:57:51,520 But I'm still back. 504 00:57:51,520 --> 00:57:53,520 So it's been a long time, mom. 505 00:57:53,520 --> 00:57:54,520 A! 506 00:58:16,520 --> 00:58:26,520 INTRIGUING MUSIC 507 00:58:46,520 --> 00:58:50,520 Ladder, I'll be back in the city in the evening. You will remain with the hostess, and you will see yourself decently. 508 00:59:16,520 --> 00:59:20,520 Subtitle editor A. Sinetskaya Proofreader A. Kulakova 509 00:59:46,520 --> 00:59:50,520 Proofreader A. Kulakova 510 01:00:16,520 --> 01:00:20,520 Proofreader A. Kulakova 511 01:00:46,520 --> 01:00:50,520 Proofreader A. Kulakova 512 01:01:16,520 --> 01:01:20,520 Proofreader A. Kulakova 513 01:01:46,520 --> 01:01:49,520 Proofreader A. Kulakova 514 01:02:16,520 --> 01:02:20,520 Proofreader A. Kulakova 515 01:02:47,520 --> 01:02:51,520 What, have you never been with anyone? 516 01:02:51,520 --> 01:02:56,520 No, I want you to be the first man. 517 01:03:01,520 --> 01:03:03,520 I can't. 518 01:03:06,520 --> 01:03:09,520 Please, I beg you very much. 519 01:03:46,520 --> 01:03:50,520 Neat, neat, neat, neat. 520 01:04:46,520 --> 01:05:05,520 MUSICAL INTRO 521 01:05:16,520 --> 01:05:28,520 TENSE MUSIC 522 01:05:28,520 --> 01:05:32,520 What? Did something happen? 523 01:05:33,520 --> 01:05:36,520 I don't feel well. 524 01:05:37,520 --> 01:05:40,520 Hopefully tomorrow I'll make some noise. 525 01:05:40,520 --> 01:05:44,520 Now I guess I'll go. Fine? 526 01:05:46,520 --> 01:05:48,520 Not tomorrow. 527 01:05:48,520 --> 01:06:11,520 CALM MUSIC 528 01:06:12,520 --> 01:06:25,520 CALM MUSIC 529 01:06:25,520 --> 01:06:32,520 CALM MUSIC 530 01:06:32,520 --> 01:06:35,520 Mom went to the mountains. 531 01:06:41,520 --> 01:06:55,520 CALM MUSIC 532 01:06:56,520 --> 01:07:19,520 MUSICAL INTRO 533 01:07:19,520 --> 01:07:47,520 MUSICAL INTRO 534 01:07:47,520 --> 01:08:07,520 MUSICAL INTRO 535 01:08:07,520 --> 01:08:35,520 MUSICAL INTRO 536 01:08:35,520 --> 01:08:51,520 MUSICAL INTRO 537 01:08:51,520 --> 01:09:19,520 MUSICAL INTRO 538 01:09:19,520 --> 01:09:47,520 MUSICAL INTRO 539 01:09:47,520 --> 01:10:03,520 MUSICAL INTRO 540 01:10:03,520 --> 01:10:31,520 MUSICAL INTRO 541 01:10:31,520 --> 01:10:59,520 MUSICAL INTRO 542 01:10:59,520 --> 01:11:27,520 MUSICAL INTRO 543 01:11:27,520 --> 01:11:55,520 MUSICAL INTRO 544 01:11:55,520 --> 01:12:13,520 MUSICAL INTRO 545 01:12:13,520 --> 01:12:39,520 MUSICAL INTRO 546 01:12:43,520 --> 01:12:53,520 MUSICAL INTRO 547 01:12:53,520 --> 01:13:03,520 MUSICAL INTRO 548 01:13:03,520 --> 01:13:27,520 MUSICAL INTRO 549 01:13:27,520 --> 01:13:47,520 MUSICAL INTRO 550 01:13:47,520 --> 01:13:57,520 MUSICAL INTRO 551 01:14:17,520 --> 01:14:29,520 MUSICAL INTRO 552 01:14:31,520 --> 01:14:33,520 What happened, Lising? 553 01:14:33,520 --> 01:14:35,520 Why are you so silent today? 554 01:14:35,520 --> 01:14:36,520 Unhook! 555 01:14:36,520 --> 01:15:04,520 DYNAMIC MUSIC 556 01:15:06,520 --> 01:15:34,520 MUSICAL INTRO 557 01:15:36,520 --> 01:16:04,520 MUSICAL INTRO 558 01:16:04,520 --> 01:16:16,520 MUSICAL INTRO 559 01:16:26,520 --> 01:16:28,520 Have I prepared a surprise for you? 560 01:16:28,520 --> 01:16:32,520 DYNAMIC MUSIC 561 01:16:32,520 --> 01:16:34,520 I'll prove it tonight. 562 01:16:36,520 --> 01:16:40,520 At night at night? What nights can there be surprises? 563 01:16:46,520 --> 01:16:48,520 So will you come? 564 01:16:58,520 --> 01:17:02,520 DYNAMIC MUSIC 565 01:17:28,520 --> 01:17:38,520 DYNAMIC MUSIC 566 01:17:38,520 --> 01:17:48,520 MUSICAL INTRO 567 01:17:48,520 --> 01:18:16,520 DYNAMIC MUSIC 568 01:18:16,520 --> 01:18:44,520 MUSICAL INTRO 569 01:18:46,520 --> 01:19:14,520 MUSICAL INTRO 570 01:19:16,520 --> 01:19:44,520 MUSICAL INTRO 571 01:19:46,520 --> 01:20:06,520 MUSICAL INTRO 572 01:20:06,520 --> 01:20:34,520 MUSICAL INTRO 573 01:20:36,520 --> 01:20:50,520 DYNAMIC MUSIC 574 01:20:50,520 --> 01:21:18,520 DYNAMIC MUSIC 575 01:21:18,520 --> 01:21:46,520 DYNAMIC MUSIC 576 01:21:46,520 --> 01:22:00,520 DYNAMIC MUSIC 577 01:22:16,520 --> 01:22:26,520 DYNAMIC MUSIC 578 01:22:26,520 --> 01:22:28,520 What happened? No. 579 01:22:28,520 --> 01:22:34,520 I was afraid to upset you, but something happened to me in the last days. 580 01:22:34,520 --> 01:22:38,520 Worrying pain in the lower abdomen. 581 01:22:38,520 --> 01:22:40,520 Yes. 582 01:22:40,520 --> 01:22:44,520 Here. I think I need to see a doctor. 583 01:22:44,520 --> 01:22:47,520 Do you have any more healing tablets? 584 01:22:47,520 --> 01:22:51,520 I have already taken several analgic tablets. 585 01:22:56,520 --> 01:22:58,520 OK. 586 01:23:08,520 --> 01:23:29,520 DYNAMIC MUSIC 587 01:23:29,520 --> 01:23:31,520 Sorry. Did something happen? 588 01:23:31,520 --> 01:23:39,520 You know I only want to be with you. 589 01:23:39,520 --> 01:23:41,520 How little? 590 01:23:41,520 --> 01:23:43,520 And I wasn’t with her at night. 591 01:23:43,520 --> 01:23:46,520 And you'll never go again. 592 01:23:46,520 --> 01:23:48,520 All. 593 01:23:51,520 --> 01:23:52,520 Fine. 594 01:23:52,520 --> 01:23:53,520 Honestly. 595 01:23:53,520 --> 01:23:55,520 I'll come to you. 596 01:23:57,520 --> 01:23:59,520 I'll be waiting. 597 01:24:02,520 --> 01:24:04,520 Little fox! 598 01:24:07,520 --> 01:24:09,520 I'm going to the market. The products have run out. 599 01:24:09,520 --> 01:24:12,520 Please tidy up the kitchen and veranda. 600 01:24:26,520 --> 01:24:28,520 Mom left for the market! 601 01:24:31,520 --> 01:24:32,520 Oh yeah. 602 01:25:01,520 --> 01:25:23,040 Ah, ah, ah, ah, ah, ah, ah, ah, ah! 603 01:25:23,040 --> 01:25:28,780 Hello neighbor! 604 01:25:28,780 --> 01:25:29,780 Where did you go? 605 01:25:29,780 --> 01:25:31,780 Yes, here we go to the market. Pin the product. 606 01:25:31,780 --> 01:25:32,780 Alisona, where? 607 01:25:32,780 --> 01:25:33,780 Yes. 608 01:25:33,780 --> 01:25:34,780 A Jew, or what? 609 01:25:34,780 --> 01:25:35,780 Well, yes. 610 01:25:35,780 --> 01:25:37,780 Well, well. 611 01:25:37,780 --> 01:25:39,780 What kind of stupidity do you have? 612 01:25:39,780 --> 01:25:41,780 No, I'm just thinking so. 613 01:25:41,780 --> 01:25:43,780 Okay, bye. 614 01:25:43,780 --> 01:25:45,780 Bye bye. 615 01:25:59,780 --> 01:26:05,780 Uh, uh, uh... 616 01:26:17,780 --> 01:26:26,780 Immediately... 617 01:27:59,780 --> 01:28:12,260 Gennady Petrovich, I ask you to collect all your things 618 01:28:12,260 --> 01:28:14,260 and leave our house as quickly as possible. 619 01:28:29,780 --> 01:28:51,900 Alice, open the door. 620 01:28:51,900 --> 01:28:54,900 I just want to talk to you. 621 01:28:54,900 --> 01:29:00,580 Alice, please open the door. 622 01:29:00,580 --> 01:29:12,500 Alice, we'll talk to you later. 623 01:29:24,900 --> 01:29:34,900 Alice, please open the door. 624 01:29:54,900 --> 01:30:04,900 Alice, please open the door. 625 01:30:24,900 --> 01:30:34,900 I just want to be with you later. 626 01:30:54,900 --> 01:31:04,900 Alice please. 627 01:31:24,900 --> 01:31:34,900 Alice, please open the door. 628 01:31:54,900 --> 01:32:04,900 I just want to be with you later. 629 01:32:24,900 --> 01:32:34,900 Alice, please open the door. 630 01:32:54,900 --> 01:33:04,900 I just want to be with you later.